Archive for the ‘General Ramblings’ Category

Busy Busy Busy…

Saturday, July 31st, 2010

I promise to do better! I have seriously neglected this site but I hope a new look and new content should make up for this. I will be updating the blog with the highlights from the year in the next few days.  In my defence I took a month out for princess #2 arriving and have been run ragged ever since! Absolutely loving being so busy.

Along with the new content and look I now have a twitter account and a facebook profile. so please feel free to follow \ friend.  I love chatting with couples, hearing their ideas and helping them realize their vision.

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A Costly Loss!

Thursday, July 16th, 2009

I was reading some articles about a lawsuit between a photographer and a stock agency over lost negatives \ slides and it brought home the changes in the industry and what we now take for granted (link here). During the period in question (not a million years ago) a photographer would shoot the film and courier it to the magazine \ paper who would soup the film, use the picture and forward on the processed material to an agency who would then sell on the photographers work. They would be responsible for the archiving.

It is technically possible to duplicate negatives and slides, it is also possible to maintain a digital backup, but this is out of the photographers hands.  They shot the film and had to rush it to the publication to meet a deadline, they don’t have time to do anything other than hand it to a courier or drop it in directly at the publication. This is where their involvement ends.  It appears that due to poor record keeping many negatives \ slides were lost.

It must be truly gut wrenching to have lost a lifetimes work. Most people know the sick feeling when a computer dies and you know that whilst you have lots of the information backed up elsewhere you don’t have all of it, imagine that 1000 times worse and its probably close. This was the photographers pension, it was an archive of their lives work that would continue to provide revenue. 

Comparing this to my personal workflow which sees images backed up across multiple locations and on hard drive and dvd (two sets of dvd’s) I am forced to concede that I have life very easy! It would take the kind of event that would render the need for the archive null. It would require three separate data centres to be destroys and two housefires after which I don’t think I would be focusing on my images!

Several things did strike me as odd about the trials. Firstly the value attributed to the images. Whilst I believe the photographers over estimated the value of their collections I feel the judge under valued them. They judge also seemed the avoid any punitive damages (I’m not a lawyer, they probably weren’t entitled to punitive damages) but the result is that the financial impact is less than the expense account of a board member. The only way to make a big company sit up and change its ways it to hit it where it hurts. Make a CEO stand up at the AGM and have to admit that bad practice cost them their profit margin and by the way, there’s no dividend this year. That would encourage a top down enforcement of standards. $7 an image isn’t much considering the going rate but this was based around the likelihood that not all images would resell.

The second and most important (for me) realisation is how insane  the legal system can be.  There are times when it truly excels, and there are times when it gets it so diabolically wrong! After reading a comment by the archivist of one of the photographers ( linkies) it is apparent that the world has gone bonkers. Apparently when she was transcribing the details of the envelopes which contained the film she made a few typos on the excel sheet. This allowed ‘the opposition’ to have them omitted. To me this is simply madness. I agree as much as the next person that due process needs to be followed, but a deviancy from due process (obtaining a warrant, filling out of a form correctly) shouldn’t negate the original offense. It should be dealt with separately and in a manner which reflects the magnitude of the breach. In this case it was a simple typo which was probably made due to a lack of resources.  The court should not and cannot expect that an individual of normal means can prepare a case as perfectly as a huge corporation with an army of lawyers.  That’s entirely different from the police making an arrest after not following due process and violating a persons rights, although if they are guilty they should be guilty irrespective of how they are found and the officers should be punished not the rest of us that are put at risk of a repeat offending.

I should state that it appears that Corbis weren’t directly at fault, it seems to be an agency they acquired had bad practices in the past.  I also think the amounts the photographers wanted were very high, but then again you have to ask high to give yourself room to move. My heart goes out to the photographers and in general for the loss of all those great images. We look now at images from NASA of the moon landings etc, they are an integral part of our history. Over the past 100+ years we have had the ability to document our lives for the future in an unprecedented manner. Photography and Video has meant that future historians will have a rich record of our lives, and every loss like this especially of many of the important events they covered, is a loss that will be felt for a long time.

Briefly before I sign off, where to backup? I have them stored on

  • an internal hard drive array with redundancy
  • an external hard drive (they are slow, not recommended for working directly off)
  • a personal online archive
  • a backup of this archive at www.bqbackup.com
  • many pictures at also shown on my website which is in turn backed up
  • 2 dvd archives.

Worth all the trouble? I hope I never have to find out. At some point I intend to hire a storage unit and archive to hard drive there. Whilst DVD’s boast long life spans I am not sure I trust them entirely. I think  I will invest in a decent DAS unit for home and store on usb hard drives AND dvd in a storage unit perhaps?

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How to make enemies and incense people.

Thursday, July 2nd, 2009

 There was a piece of ‘journalism’ recently on the New York Times website which has stirred up some emotion. You can find the original ‘article’ here http://gadgetwise.blogs.nytimes.com/2009/06/24/flickr-as-an-interior-decorator-tool/, and the follow up here http://gadgetwise.blogs.nytimes.com/2009/06/26/are-flickr-photos-fair-game-for-home-printing/.

The first article basically states that if you want some free pictures to decorate your walls just download them from flickr and print them on your home printer. Sonia goes on to state that in her opinion this is ‘fair use’ so not subject to copyright. The article has been widely linked from photo forums. There is some support for her viewpoint although notably it seems to be from non photogs. Personally I find it extremely rude and arrogant to simply assume you are entitled to take someone elses work because you want to and that because you aren’t making any money from it, it will be ok. It is fair to say that if you put your work online you have to expect that some of it will be misappropriated. That doesn’t mean that it is ok for that to happen or that when made aware you shouldn’t take the person to task.

I was somewhat surprised an esteemed publication such as the NYT would publish such a controversial article, at absolute best it is a gray area.

Now when I put a picture online to showcase my work I make my best effort to ensure it will be faithfully displayed on peoples screens, however I have no control over your browser or monitor so a picture may look poor when in reality it is not. However there is a fair chance it will be close. Prints can vary massively in quality and a budget home printer will not produce the same results as a pro lab. This misrepresents my work.

Some of the people who have commented have made far better arguments that I, if anything I just feel it is incredibly bad form \ rude to take without even asking. As one poster put it, it shows a lack of respect for other peoples work.

From now on I will be watermarking pictures. Its sad to have to do it but I guess I was naive in thinking people wouldn’t be so disrespectful. In general people are very respectful and will at least ask permission and it is virtually always granted, but some people are beyond belief!

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RAW Vs JPEG

Sunday, June 28th, 2009

Like Canon vs Nikon and Film vs Digital this is a common debate on forums (no one ever ‘wins’ any of them). I wrote this years ago (2005?) for a different site. I thought I would reproduce it here and perhaps write a redux at some point.

After reading it, how does it reflect on my shooting these days? I shoot RAW almost exclusively, even with sports and wildlife. The only time I shoot JPEG is when I want a quick snapshot to put online immediately.

 

RAW Vs JPEG

What are RAW & JPEG ?
RAW is a format for storing the image data from your camera’s sensor which allows you to process the image from the data collected by the sensor into an image on your computer, instead of using the onboard computer. This, in most cases, gives you the flexibility to adjust the white balance, contrast, colour settings and to a limited extent exposure at a later date (without compromising dynamic rante as much) rather then having the camera make the decision at the time the shot is made. RAW files are larger then JPEGs but often smaller then TIFFs, i.e. on a 10d a raw will be 6mb a JPEG 2mb and a TIFF 18mb.

JPEG, or Joint Photographic Experts Group, is a format for storing images in a compressed manner, or put simply is makes the file size smaller. I wont bore you with exact details of zig zag run line encoding, but basically JPEG is a ‘lossy’ method of compression. It removes data that is least important and performs compression on the remaining data. Some image detail is lost, it can vary between virtually none and almost rendering the image unintelligible depending on the level of compression you select. JPEG performs well in photographs where there aren’t stark changes between colours. Where there is a sharp definition between two very different colours, say black hair against a while background, you will notice artifacts which reduce the quality of the image. The effect of these on image quality increases as the compression ratio increases.

What difference does it make?
Basically it comes down to a balance, on the one hand you have flexibility and quality Vs speed and space. JPEG writes to cards in less time and takes up less space on the card, it can also often allow you to shoot more pictures in a burst. The cost is the flexibility in editing your images, tweaking them, and also JPEG suffers from a fatal flaw. Every time you open and close a JPEG it recalculates the algorithm, the artifacts get worse, and after 100 saves you’ll be left with a complete mess.

When do I use each one?

If your shooting for fun then you should probably shoot JPEG anyway, save on storage space, save on time converting and printing etc. If your shooting for quality, then you have to make a decision;
Do you have ample storage space on your cards? If not then shoot JPEG.
Are you shooting rapidly e.g. a motor race? If you are and the rate at which you can shoot is critical then consider JPEG.
Are you shooting portraits when tonal quality and colour accuracy is paramount? Shoot Raw.

Now all is not ‘lost’ if you have to shoot JPEG. An important thing to remember is that if you choose to post process JPEGs, the first step in your workflow MUST be to convert them to TIFF, even if its with a lossless compression like LZW or ZIP. After post processing you can then choose your output format, but using TIFF during will mean that your image won’t degrade further every time you save it and you will have a high quality master for future use.

My Camera shoots TIFF instead of RAW, what about me?

TIFF (Tagged Image File Format) is a lossless (no data is lost in the storing of the file, unlike say JPEG) format used for storing images. It can be compressed using standard lossless algorithms such as ZIP or LZW which reduce the file size with 0 degradation in quality. TIFFs are generally larger then RAW images so you should be careful about using them. I would personally only use TIFF in a situation where card capacity and burst rate aren’t an issue but your cameras inbuilt JPEG compression degrades image quality too much for your intended usage. Compare the file sizes, compare the quality and consider what you need the most. With TIFF, you almost certainly wont have the same breadth of options as with RAW with respect to white balance etc. With RAW images this is done by reinterpreting the data from the sensor, there isn’t that information in a TIFF.

Conclusion.
As with so many things there is no clear overall winner, you have to decide in your situation which is best. Often I will start a day shooting RAW and when I’m down to my last memory card or two I switch to JPEG. If I’m shooting my brother playing rugby I tend to shoot JPEG as it allows me to clear the buffer faster to take another burst of shots. If I’m shooting landscapes, in fact most of the time, I will shoot in RAW anyway only switching to JPEG when circumstances demand it. The downside is I’m constantly burning DVDs, my hard drive is stuffed, and it takes longer to post process the images. The upside is I have more flexibility to rescue shots that are slightly wrong and to get the best out of good shots.

All Images Text and Spelling \ Grammar Mistakes are copyright of the author and may not be reproduced in any manner or form without express written permission.

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A First Photoshoot

Sunday, June 28th, 2009
Traditional Hawaiian Dancer at Sunset

Traditional Hawaiian Dancer at Sunset

Not long after getting my first Canon DSLR (the then newly released 10D) I was invited to shoot a welcoming reception for some honoured guests at a hotel by the firm organising the events. It was quite daunting as I had just switched to Canon from Minolta and I only had a few lenses, none of which were really great for low light work. The event was fairly quick, some people arriving in canoes and being led by torch to the hotel. I got some shots I really liked which was a relief. I don’t think I had ever been that nervous in my life. The experience was great as a start, I wasn’t shooting under the same pressure as a wedding, the duration was a lot shorter, and the nature of the event meant I was rarely constrained by the equipment. Of course I would have loved a 1 series or a D700\ D3 and some fast glass but it was great to get to work with such talented models. The dancers were amazing, they put on a truly amazing show. Maui produced one of its fabulous sunsets making it a truly special time.

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First Post

Saturday, June 27th, 2009
Minature Wirehaired Dachshund in Heather

Minature Wirehaired Dachshund in Heather

I felt it appropriate to start with a picture, shes is my mums dog (of varying girth) bounding through the heather on the North Yorkshire Moors. Shooting weddings and events is a joy and truly a privilidge to share such a special day, but it was nature photography that got me hooked.

I hope to keep this blog short and sweet, mainly a collection of images and links to resources for photographers on the internet. Should I get time I will also try to explain techniques and maybe throw in some equipment reviews.

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